For Lost In Translations Thursday’s Special Pick A Word November 2022: Sequential. The Hassan II Mosque in Casablanca, Morocco. Opened in 1993, it is the largest functioning mosque in Africa and the 7th largest in the world. It was paid for with mandatory donations by all citizens of Morocco. It is the only mosque in Morocco open to non Muslims. Interestingly, this is not a religious proscription as many assume. When the French established a “protectorate” over Morocco (1912–1956), they passed a law forbidding Muslims from entering Christian churches and forbidding Christians from entering Muslim religious buildings. The French felt this would prevent religious disputes and attempts at conversion. The law is still on the books .
Lens-Artists #226: Textures. Naturally dyed spun wool in the weaver’s shop at The Farmer’s Museum, Cooperstown, New York. The museum recreates rural life in New York from the 19th century.
When I was in Florence three years ago, I did a post about street art depicting women. Much of that random art has disappeared so I have expanded to street art in general, in all its iterations
This may seem like a strange image in a post about looking up. But it tells a story, a story of the 1966 flood that devastated Florence, destroying or damaging millions of books and manuscripts and countless works of art.
Look up to the highest label on the wall. That is the high water mark, about 22 ft., on November 4, 1966. Lower sections of buildings and damaged art works are still undergoing restoration.
The frescoes in the chancel above the high altar and its vaulte dome are beautiful.
The Baroncelli Chapel, by Taddeo Gaddi, shows scenes from the life of Mary. The three following photos show details from the frescoes.
Transept and side chapels have ceiling frescoes depicting the lives of the saints and the four evangelists.
The central dome of the Pazzi Chapel and its chancel dome. Designed by Brunelleschi but not finished until after his death, (1443-1478), the chapel is one of the earliest Florentine Renaissance structures.
The giant crucifix wooden by Cimabue (c. 1265) was heavily damaged in the flood. Over 60 percent of the paint was lost. Even after extensive restoration, damage is still visible. It is considered one of greatest losses from the flood. It now hangs high in the sacristy.
The Renaissance arches of the second cloister.
The New 3 Rs: Retire, Recharge, Reconnect 