Always Look Up: The Heights of Santa Croce

This may seem like a strange image in a post about looking up. But it tells a story, a story of the 1966 flood that devastated Florence, destroying or damaging millions of books and manuscripts and countless works of art.

Look up to the highest label on the wall. That is the high water mark, about 22 ft., on November 4, 1966. Lower sections of buildings and damaged art works are still undergoing restoration.

The frescoes in the chancel above the high altar and its vaulte dome are beautiful.

The Baroncelli Chapel, by Taddeo Gaddi, shows scenes from the life of Mary. The three following photos show details from the frescoes.

Transept and side chapels have ceiling frescoes depicting the lives of the saints and the four evangelists.

The central dome of the Pazzi Chapel and its chancel dome. Designed by Brunelleschi but not finished until after his death, (1443-1478), the chapel is one of the earliest Florentine Renaissance structures.

The giant crucifix wooden by Cimabue (c. 1265) was heavily damaged in the flood. Over 60 percent of the paint was lost. Even after extensive restoration, damage is still visible. It is considered one of greatest losses from the flood. It now hangs high in the sacristy.

The Renaissance arches of the second cloister.

Perspectives on a Dome

The Collegiate Curch of Santa Maria in Provenzano, Siena, Italy.

17th century late-Renaissance, Baroque church

Il Duomo, a Medieval Masterpiece in Siena, Italy

Always Look Up

Transept dome, Basilica di S. Croce, Lecce, Puglia, Italy.

Waiting for the Wedding

Bari, Puglia, Italy

The Basilica of St. Catherine of Alexandria, Galatina, Italy

In the late 14th century, Raimondello Orsini del Balzo visited the Holy Land, including the monastery of St. Catherine. In his desire to possess a relic of the saint, he bent down to kiss the mummified body and bit off one of her fingers, which still wore a ring.

On his return to Italy, he built a church to house the relic in Galatina between 1384-1391.

The church building is a combination of the Apulian Romanesque and Gothic.

The interior frescoes, commissioned by Raimondo’s wife, tell the stories of the Apocalypse, the seven sacraments of the Catholic church, stories of Genesis, and other subjects.

Ceiling vaults. Part of the cycles about the seven Sacraments and the hierarchy of angels.

Detail of decoration in the nave. Scenes from the Apocalypse to the right.

The side aisles were also frescoed.

Reliquery of St. Catherine’s finger. The green stone of her ring is visible.

The basilica is a hidden gem. Well woth a visit if you are in the heel of Italy.

Noah’s Ark and the bodies of the unfaithful.

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